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X-WR-CALDESC:Events for Sandisfield Arts Center
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DTSTART;VALUE=DATE:20220814
DTEND;VALUE=DATE:20220908
DTSTAMP:20220815T231232Z
CREATED:20220813T134100Z
LAST-MODIFIED:20220815T231232Z
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SUMMARY:Gallery Show: Winners of the Daniel Manacher Young Artists Prize
DESCRIPTION:Show runs through September 7th.  Gallery is open during regularly scheduled events or by appointment. To arrange an appointment please contact Adam Manacher @ 617-645-6525. \nWinners: \nJulia Rose Miner:\n\n\nFormed A New\n2020\nAcrylic Paint\, Faux Fur\, and Joint Compound on Board\n36”x24”\n\nStatement:\nHi\, my name is Julia Rose Miner. I am a painter who lives and works in the small\, artistic town of Stockbridge\, MA. In my most recent collection\, my textural paintings of abstracted landscapes explore the ideas of innocence and decay. I use a pallet that consists of candy\, stuffed animal materials\, and vibrant pastel colors. These works play with the corrosion of nostalgia while holding onto a childlike optimism. At the age of seven I was diagnosed with a visual impairment\, called Stargardt Disease\, leaving my world altered with a constant vibrating visual texture. I use the sense of touch as a source of sight to navigate through life and art. This is  how I experience the world and I feel compelled to use these tools when making my work. In my practice I translate bits and pieces of visual information to fabricate a new reality that lies in the comfort of unease. I welcome and encourage both delight and putrefaction to coexist. Building layers I construct and paint distorted and discolored imagery inspired by my everyday surroundings. My work embraces the ideas of joy and deterioration while abstracting the world.\n\nNatasha Wein:\n \n\nSpaces: Suburbs\n 2022\nAcrylic paint\, gouache\, and water-soluble ink pencils on paper\n24×18 inches\n\nStatement:\n“Spaces” explores the interface between external and internal experience\, specifically how we hold the spaces and relationships we inhabit in our minds as memory. The mental landscapes we foster and the narratives we tell ourselves about those landscapes inform our sense of belonging and resilience. In this series\, I used my longing for contentment amidst a particularly distressing and uprooted period in my life to influence my use of color and shape; by painting with intention\, I created an external space with movement and possibility from where I could work with my internal distress and\, in turn\, repaint my psychic wallpaper. When we strip back the cognitive clutter\, a more honest rendering of our experiences and desires can be exposed\, and one that is often more sincere and playful. This way of working can decongest complicated and backlogged feelings so they can be integrated into our present experience. I used tape as a tool to create territories of paint and water-soluble ink pencils to make lines connecting territories of color. We often think of boundaries as points of separation\, but they are more meeting points that allow for a relationship to occur. This was a process of experiential learning through process—a practice in clearing spaces and rendering passages to navigate memories\, circumstance\, and dreams.\n\nAlorah Welti:\n \n\nEve Adam Lilith (Red White Blue) \n2022\nPaint and decoupage on plastic skeletons\napproximately 20×20 inches\n\nStatement:\nMy work\, primarily in mixed media\, paper\, and fiber\, asks and seeks to answer the question of what is sacred. As someone with synesthesia\, a sensory neurodivergence that connects senses like sound and color\, I am eternally searching for the visceral and dreamlike. Texture\, saturation\, and reclamation are fundamental to my practice\, as are myth and feminist spirituality. I am endlessly inspired by fertility\, ancestry\, and the constant presence of history in all things.
URL:https://sandisfieldartscenter.org/event/gallery-show-winners-of-the-daniel-manacher-young-artists-prize/
LOCATION:MA
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DTSTART;TZID=America/New_York:20220903T200000
DTEND;TZID=America/New_York:20220903T220000
DTSTAMP:20220821T214505Z
CREATED:20220731T142124Z
LAST-MODIFIED:20220821T214505Z
UID:10000886-1662235200-1662242400@sandisfieldartscenter.org
SUMMARY:Chris Brubeck and Triple Play!
DESCRIPTION:Back by popular demand\, kicking off our fall season — Chris Brubeck and Triple Play on our main stage! Triple Play has something for everyone with their crossover music blending jazz with blues and folk music. \n \nAbout Chris Brubeck’s Triple Play (from their website) \nTriple Play is the name given to three outstanding and versatile musicians\, Peter Madcat Ruth (on harmonica\, guitar\, jaw harp\, percussion & vocals)\, Joel Brown\, (folk and classical acoustic guitar and vocals) and Chris Brubeck (electric bass\, bass trombone\, piano & vocals).  Collectively they bring a rare level of joy\, virtuosity\, and American spirit to the folk\, blues\, jazz and classical music they perform. Triple Play’s musical roots go way back (nearly 40 years!) in each member’s history. Chris and Madcat have toured and recorded together in different settings since 1969\, first as young rock musicians in the group “New Heavenly Blue” (with albums on RCA and Atlantic Records)\, “Sky King”(on Columbia)\, and then as jazz musicians touring the world with Dave Brubeck. \nChris went on to form the group Crofut & Brubeck with the uniquely talented banjo player  Bill Crofut and also featured Joel on guitar.  A highly unusual and critically acclaimed CD\, “Across Your Dreams” (Telarc) featuring famous mezzo-soprano Frederica von Stade singing  songs written by Chris\, Dave & Iola Brubeck.  Their next project was the recording of the acclaimed “Bach to Brubeck” (Koch International Classics) at Abbey Road Studios with the London Symphony Orchestra. \nSadly\, Bill Crofut passed away in 1999\, and Madcat joined Chris and Joel to form the group Triple Play.    Their live performance is documented on their first cd\, “Triple Play Live”\, recorded at one of their college concerts.  In reviewing this disc\, All Music Guide wrote:  “This boundary stretching CD should be investigated by anyone who enjoys great American music.” \nTheir second CD\, “Watching the World” was recorded in studios across the country and according to All Music Guide:  “It’s great to hear a group that combines top-notch musicianship\, potent originals\, and a touch of humor\, this CD is truly a Triple Play in any fan’s score book.” \nWith an ever-expanding repertoire\, the Trio continues to play in concert halls\, clubs and festivals all over the country\, including performing many of Chris’ symphonic arrangements with orchestras across the U.S.   Recently  they played a set at the Monterey Jazz Festival and later that evening were featured in the premiere of Dave Brubeck’s Cannery Row Suite.    Paul deBarros\, writer for the Seattle Times and Downbeat\, commented:  “Triple Play is what jazz always was and always should be about:  good-time rhythm\, unbridled joy and the sweet release but bittersweet aftertaste of the blues.  If there’s a better old-time blues and jazz harmonica player out there than Madcat Ruth\, I’d sure love to know where he lives.” \nAt this time\, masks optional but recommended. We’re doing social distancing\, so we’re limiting attendance to 60% capacity.
URL:https://sandisfieldartscenter.org/event/chris-brubeck-and-triple-play/
LOCATION:MA
CATEGORIES:Performances,Special Events
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